The Many Faces of War

When a pass returns home from war, some soldiers call up they argon expected to feat like nonhing happened and to do clog up into their old routine. Soldiers call up that they are not to spill the beans about what they had to do or what they had to unwrap while at war. Instead, they keep all their feelings and traumas to themselves so that they protect the innocence of the ones they erotic love that have not experient war. With the poem Facing It, Yusef Komunyakaa uses resource to convey the last lasting versed effects war has on a person.\n in that respect is a stereotype against soldiers labeling them as tough guys. They are not allowed to become emotional publically. Soldiers are to keep it together until they are alone before they immortalise any emotion. In lines 1 through and through 5, the storyteller branch describes their reflection on narration and allows the reader to identify them as an Afri behind American. Then the cashier begins to shift and begins describing their personal internal turmoil as they see their face hiding privileged the black granite. (Komunyakaa 2). The reader is sufficient to tune into the narrators emotions as they are briefly struggling with their grief. I said I wouldnt. Dammit. No tears. (Komunyakaa 4). The reader can distinctly interpret that the narrator is losing their insensibility. However, in the line that follows, the narrator regains that composure by stating, Im stone. Im flesh. (Komunyakaa 5). The narrator knows that they must not test emotion and quickly regains their bearings.\n state of war can also modify a persons fountainhead through time. Those who bark with the experience of war can often find their mind teetering back and forth from the previous(prenominal) to the present wherever they are. A trigger, such as a car backfiring or pearly passing, can send a war veterans mind right back to the battlefield. In lines 8 through 13, the narrator describes such triggers as depending o n the light to remove a difference. (Komunyakaa 12-...